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Ms 375. Cicero, De inventione, f. 1r. Illuminated initial [S] on pink, blue and green ground, (Milan), 1452, and ownership inscription of Kaspar Schoppe (1576-16490 using a pseudonym, 17 century (parchment)

Ms 375. Cicero, De inventione, f. 1r. Illuminated initial [S] on pink, blue and green ground, (Milan), 1452, and ownership inscription of Kaspar Schoppe (1576-16490 using a pseudonym, 17 century (parchment)


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Ms 375. Cicero, De inventione, f. 1r. Illuminated initial [S] on pink, blue and green ground, (Milan), 1452, and ownership inscription of Kaspar Schoppe (1576-16490 using a pseudonym, 17 century (parchment)

5979433 Ms 375. Cicero, De inventione, f.1r. Illuminated initial [S] on pink, blue and green ground, (Milan), 1452, and ownership inscription of Kaspar Schoppe ( using a pseudonym, 17 century (parchment) by Italian School, (15th century); By kind permission of the Earl of Leicester and the Trustees of the Holkham Estate; (add.info.: Illuminator/Scribe: Anonymous (Milan, 1452)
Identified as written by Silvestro Balsamo for his own use (arms erased))

Media ID 25060800

© Bridgeman Images

Cicero Cicero Marcus Tullius 106 43 Bc Milan Early Xv Century Late Xv Century


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EDITORS COMMENTS
This print showcases a remarkable piece of history, Ms 375. Cicero, De inventione, f. 1r. , an illuminated manuscript from Milan dating back to the year 1452. The focal point of this artwork is the exquisitely detailed initial [S], adorned with vibrant shades of pink, blue, and green against a stunning background. The delicate craftsmanship transports us to a bygone era where beauty and artistry were meticulously intertwined. Adding further intrigue to this precious artifact is the ownership inscription of Kaspar Schoppe (1576-1649), who intriguingly used a pseudonym during the 17th century. This enigmatic figure's connection to such an esteemed work adds layers of mystery and curiosity. The Italian School in the 15th century was responsible for creating this masterpiece, with its illuminator/scribe remaining anonymous but believed to be from Milan in 1452. Interestingly enough, it has been identified that Silvestro Balsamo wrote this manuscript for his personal use before erasing his own coat of arms. Thanks to the generosity of the Earl of Leicester and the Trustees of Holkham Estate, we are fortunate enough to have access to this extraordinary piece through Bridgeman Images' fine collection. It serves as a testament not only to Cicero's enduring influence but also as a reminder that art transcends time and continues captivating audiences centuries later.

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