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Octagonal tent room, Regency style

Octagonal tent room, Regency style


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Octagonal tent room, Regency style

6338597 Octagonal tent room, Regency style by British School, (19th century); (add.info.: Octagonal tent room, Regency style. Drawing room decorated with a striped canopy, pelmet with tassels, crimson curtains, and crimson furniture. In the Ottoman or Turkish style decorated with gilt crescents. Handcoloured copperplate engraving from George Smiths The Cabinet-Maker and Upholsterers Guide, Jones and Co. London, 1828. George Smith was upholsterer and furniture draughtsman to his Majesty (the Prince of Wales, later King George IV), circa 1786-1826.); © Florilegius

Media ID 25054370

© Florilegius / Bridgeman Images

1826 Carpet Chaise Longue Crescent Drawing Room Fireplace Furniture Design George Smith Harem Interior Design Jones And Co Mantelpiece Pelmet Regency Era Regency Style Tassels Tent Upholstery Valance Window Seat Copperplate Engraving Handcoloured Vallance


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> Arts > Artists > I > Islamic School Islamic School

> Arts > Artists > J > George Jones

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> Arts > Artists > S > George Smith

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EDITORS COMMENTS
This print showcases an exquisite Octagonal tent room, Regency style, dating back to the 19th century. The drawing room is adorned with opulent furnishings and intricate details that transport us to a bygone era of elegance and sophistication. The striped canopy gracefully drapes above, adding a touch of grandeur to the space. A pelmet with tassels frames the crimson curtains, creating a sense of drama and luxury. The crimson furniture stands out against the backdrop, exuding richness and warmth. Every element in this room has been carefully curated in the Ottoman or Turkish style, featuring gilt crescents that add an exotic flair. Handcoloured copperplate engravings from George Smith's renowned work "The Cabinet-Maker and Upholsterers Guide" beautifully capture this stunning interior design. From the table to the chair, window seat to chaise longue, every piece of furniture reflects meticulous craftsmanship. A plush carpet covers the floor while a majestic mantelpiece surrounds a fireplace as its centerpiece. This print allows us to appreciate not only George Smith's talent as an upholsterer and furniture draughtsman but also provides insight into Georgian Regency-era aesthetics. It serves as both inspiration for contemporary interior designers seeking timeless beauty and as a historical artifact preserving the artistry of past generations.

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