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Punch cartoon: Robert Gascoyne-Cecil, 3rd Marquess of Salisbury, English Conservative politician (engraving)
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Punch cartoon: Robert Gascoyne-Cecil, 3rd Marquess of Salisbury, English Conservative politician (engraving)
6034919 Punch cartoon: Robert Gascoyne-Cecil, 3rd Marquess of Salisbury, English Conservative politician (engraving) by Sambourne, Edward Linley (1844-1910) (after); Private Collection; (add.info.: Punch cartoon: Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830-1903), English Conservative politician. Illustration for Punch, Volume 82, January - July 1882.); Look and Learn / George Collection
Media ID 22583344
© Look and Learn / George Collection / Bridgeman Images
3rd Marquess Of Salisbury Acting Conservative Coriolanus Lord Salisbury Punch Punchs Fancy Portraits Robert Gascoyne Cecil Caricatures Comics
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EDITORS COMMENTS
This engraving captures the essence of Robert Gascoyne-Cecil, the 3rd Marquess of Salisbury, an influential English Conservative politician. Created by Edward Linley Sambourne and featured in Punch magazine in 1882, this satirical cartoon showcases Salisbury's prominent role on the political stage during the Victorian era. In this humorous portrayal, Salisbury is depicted as a theatrical figure, perhaps alluding to his skillful manipulation of political scenarios. The artist cleverly merges two worlds – politics and theater – highlighting how politicians often perform for public approval. Salisbury's caricatured features exude power and authority while maintaining a sense of humor. His exaggerated portrait reflects both his influence within British politics and his larger-than-life personality. As one of Britain's most notable statesmen, he served as Prime Minister three times throughout his career. The inclusion of German references adds another layer to this intricate artwork. Perhaps commenting on Germany's growing influence at that time or poking fun at stereotypes associated with German culture, it invites viewers to reflect on international relations during the late 19th century. Overall, this print offers a glimpse into the world of Victorian satire and political commentary through its witty depiction of Lord Salisbury. It serves as a reminder that even figures in positions of power are not exempt from artistic scrutiny and social critique.
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