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Monuments in the Crimea and at Scutari (engraving)

Monuments in the Crimea and at Scutari (engraving)


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Monuments in the Crimea and at Scutari (engraving)

1619427 Monuments in the Crimea and at Scutari (engraving) by English School, (19th century); Private Collection; (add.info.: Monuments in the Crimea and at Scutari. Illustration for The Illustrated London News, 6 November 1858.
English School (19th Century)); Look and Learn / Illustrated Papers Collection

Media ID 23554208

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Crimea Crimean War Her Majesty Memorials Models Presented Royal Engineers Scutari War Memorials


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> Historic > Monuments and landmarks > Monuments and memorials

> Historic > Monuments and landmarks


EDITORS COMMENTS
This engraving titled "Monuments in the Crimea and at Scutari" takes us back to the 19th century, offering a glimpse into the aftermath of the Crimean War. The image showcases a collection of war memorials and monuments that were erected to honor those who fought bravely during this historic conflict. The scene is filled with intricate details, showcasing the craftsmanship involved in creating these solemn tributes. Each monument stands tall and proud, representing different aspects of the war's significance. From left to right, we see various models including an Inkerman Stone, presented by Captain Brine of the Royal Engineers, as well as other symbolic structures dedicated to fallen soldiers. These monuments serve as a poignant reminder of both heroism and sacrifice. They pay homage to those who lost their lives defending their countries on Crimean soil. As we gaze upon this print, it becomes evident that each stone holds a story waiting to be told. Through this artwork, we are transported back in time - standing alongside Her Majesty's subjects who witnessed these memorials being unveiled for the first time. It is a testament not only to historical events but also to human resilience and remembrance. This print from Fine Art Finder allows us to appreciate both the artistic beauty captured within its frames and its historical significance as an illustration for The Illustrated London News in November 1858.

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