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Quito standing with wooden pole, 1865 (watercolour)

Quito standing with wooden pole, 1865 (watercolour)


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Quito standing with wooden pole, 1865 (watercolour)

3673089 Quito standing with wooden pole, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes
Drawing No. 8. Quito man standing holding a tall, wooden pole and holding a small triangle with a bell inside. Wearing a hat, a poncho and blue pants.
by Salas, Ramon, 1815-1880); © Newberry Library

Media ID 32191864

© © Newberry Library / Bridgeman Images

American Native Indians Amerindian Clothing And Dress Cultural Costume Folk Dress Indians Of South America Indigenous Indigenous People Indigenous Peoples Of The Americas Indigineous Latin America Manners And Customs Nationa Costume Native America Native American Indian Native American Indians Native Americans Native North Americans Native People North American Indian Panzaleo Indians Traditional Clothes Traditional Clothing Traditional Costumes Water Color Water Colour Watercolors Watercolour Paint Americae Inhabitant Latine America Natives Only One Person Poeple


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EDITORS COMMENTS
This watercolour print, titled "Quito standing with wooden pole, 1865" by Ramon Salas, offers a glimpse into the rich cultural heritage of Quito in the 19th century. The artwork is housed at the Newberry Library in Chicago, Illinois. In this detailed depiction, we see a Quito man proudly standing while holding a tall wooden pole. His attire consists of a hat, a poncho draped over his shoulders, and blue pants. The artist pays careful attention to capturing the intricate details of his traditional costume. The man also holds a small triangle with a bell inside it, adding an element of intrigue to the composition. This accessory likely held symbolic significance within Quito's culture during that time period. Salas skillfully portrays not only the physical appearance but also captures the essence and spirit of this indigenous individual from South America. Through his artistry, he brings forth an appreciation for native peoples and their unique customs. This artwork serves as both an important historical document and an artistic masterpiece. It provides us with valuable insight into Quito's population during this era and invites us to reflect on our shared human experience across different cultures and time periods. As we gaze upon this remarkable portrait captured on paper by Salas' skilled hand, we are reminded of the power that art possesses in preserving history and celebrating diversity.

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