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Head of Aphrodite, Goddess of Beauty and Love, 2nd century

Head of Aphrodite, Goddess of Beauty and Love, 2nd century


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Head of Aphrodite, Goddess of Beauty and Love, 2nd century

Head of Aphrodite, Goddess of Beauty and Love, 2nd century. Roman, after a Greek original of the 1st half of the 4th century BC by Praxiteles. The Roman equivalent of Aphrodite was Venus. Found in the collection of The Hermitage, St Petersburg

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Media ID 14834353

© The Art Collector

2nd Century 4th Century Bc Aphrodite Beautiful Beauty Marble Praxiteles Praxiteles Ii The Art Collector Venus Ancient Greek Greek Mythology Roman Mythology


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> Europe > Italy > Sculptures


EDITORS COMMENTS
This print showcases the exquisite Head of Aphrodite, the revered Goddess of Beauty and Love. Dating back to the 2nd century, this Roman sculpture is a faithful reproduction of an original Greek masterpiece by Praxiteles from the 4th century BC. The Roman equivalent of Aphrodite was Venus, symbolizing love and desire. Displayed in The Hermitage collection in St Petersburg, Russia, this stone artwork represents a harmonious blend of Italian craftsmanship and ancient Greek mythology. Its intricate details highlight the skillful artistry that went into sculpting every feature - from her mesmerizing eyes to her flowing hair. The beauty captured in this portrait transcends time and space, evoking feelings of awe and admiration for both its artistic merit and religious significance. As one gazes upon this stunning piece, it becomes apparent why Aphrodite was worshipped as a deity embodying love's transformative power. With its vibrant color palette and flawless marble composition, this photograph invites viewers to appreciate not only the physical attributes but also the conceptual depth behind each stroke. It serves as a testament to humanity's enduring fascination with divine beauty throughout history. Immerse yourself in ancient Greece's rich mythology through this remarkable depiction of Aphrodite – an embodiment of grace and allure that continues to captivate audiences centuries later.

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