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Marie Louise, Duchess of Parma, second wife of Napoleon Bonaparte, 1815. Artist: T Blood

Marie Louise, Duchess of Parma, second wife of Napoleon Bonaparte, 1815. Artist: T Blood


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Marie Louise, Duchess of Parma, second wife of Napoleon Bonaparte, 1815. Artist: T Blood

Marie Louise, Duchess of Parma, second wife of Napoleon Bonaparte, 1815. The eldest daughter of Francis II of Austria, Marie Louise (1791-1847) became Empress of the French when she married Napoleon in 1810. After he was forced to abdicate in 1814 she returned to Austria, refusing to join him either in exile or after he returned to France in 1815

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Media ID 14920047

© The Print Collector / Heritage-Images

Empress Necklace Wife


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> Europe > France > Royalty


EDITORS COMMENTS
This print captures the elegance and regality of Marie Louise, Duchess of Parma. Painted in 1815 by T Blood, this portrait showcases the second wife of Napoleon Bonaparte with utmost grace. Marie Louise was born in 1791 as the eldest daughter of Francis II of Austria, eventually becoming Empress of the French upon her marriage to Napoleon in 1810. However, their union faced numerous challenges as Napoleon was forced to abdicate in 1814. Despite his pleas for her to join him either during exile or upon his return to France in 1815, Marie Louise chose instead to return to Austria. In this engraving, she exudes a sense of strength and determination while adorned with exquisite jewelry that highlights her status as royalty. The intricate necklace around her neck symbolizes both her marriage and position as empress. T Blood's artistic talent shines through every brushstroke, capturing not only Marie Louise's physical beauty but also conveying a glimpse into her complex life story. This print serves as a timeless reminder of an influential woman who navigated political turmoil with poise and resilience. Whether displayed on its own or alongside other historical artwork, this striking portrait is sure to captivate viewers and spark conversations about love, power dynamics, and personal choices made within royal circles during the early 19th century.

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