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Reynaud Projecting Zootrope

Reynaud Projecting Zootrope


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Reynaud Projecting Zootrope

Reynauds Projecting Zootrope, a very sophisticated device, but also, doomed to be made obsolete by the praxinoscope and even more so by the first cinematograph projects. Date: 1890

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14267574

© Mary Evans Picture Library

Cinema Cinematograph Device Devices Doomed Obsolete Optical Projecting Projects Sophisticated Made Praxinoscope Reynaud


EDITORS COMMENTS
This image showcases Emile Reynaud, a pioneering figure in the annals of visual entertainment, as he operates his groundbreaking device, the Projecting Zootrope, in the late 19th century. Reynaud's Zootrope, an intricately designed precursor to cinema, was a sophisticated optical toy that used a series of discs with sequential images to create the illusion of motion. The device, which could project up to seven images per second, was a marvel of engineering and artistry, captivating audiences with its ability to bring static images to life. However, despite its advanced nature, the Zootrope was doomed to be surpassed by more advanced technologies. The praxinoscope, which emerged around the same time, used a spinning disc with mirrors to project images, offering greater image clarity and smoother motion. The first cinematograph projects, which utilized film instead of discs, further eclipsed the Zootrope's capabilities, paving the way for the birth of cinema as we know it. This photograph, taken in 1890, captures a pivotal moment in the history of visual entertainment. Reynaud, a visionary inventor, stands before his creation, the Zootrope, as it projects its final images. Though this device would soon be overshadowed by more advanced technologies, it remains an essential chapter in the evolution of the moving image. The Zootrope's legacy serves as a testament to the relentless pursuit of innovation and the enduring allure of visual storytelling.

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